The work is complete.
What started as a series of standalone singles now stands as a full album.
Burning Eden is officially out.
This record is a direct tribute to Alice Cooper’s Brutal Planet — not as imitation, but as interpretation. Every song on this album was written by stepping into that world: its anger, its warnings, its bleak view of humanity eating itself alive. The themes that Brutal Planet carved into me years ago are still burning, still relevant, still impossible to ignore.
All tracks on Burning Eden have been released earlier as singles and now finally live together where they belong — as one cohesive statement.
There are two exceptions.
Burning Eden
The title track is brand new and serves as the core of the album. It’s built directly from the spirit of Brutal Planet itself — a scorched garden, a world that traded empathy for control and called it progress.
Burn it down… Burn it clean…
This song sets the tone for the entire album.
A place where truth is negotiable, mercy is weakness, and everyone insists the fire was necessary.
Rise of the Steel
The final track is also new, but different in nature.
It isn’t inspired by a specific Alice Cooper song — instead it draws from the sound, attitude, and defiant energy of Brutal Planet. Where much of the album exposes collapse, Rise of the Steel answers with resistance. It’s about standing inside the machine without becoming it.
Together, these two tracks frame the album: destruction on one end, defiance on the other.
Burning Eden is industrial metal born from frustration, observation, and respect for a record that dared to say uncomfortable things loudly. The world Brutal Planet warned us about didn’t disappear.
It evolved.
Now the album exists as a whole.
This is how it was meant to be heard.
Welcome to Burning Eden.